George Orwells „1984“ im Vergleich zu „Minority Report“ von Steven Spielberg (German Edition)

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We were searching for a design to encourage that. Another need was the possibility to easily install and transport the table. Ideas were for example to roll the tabletop, to fold it in half or even to take it with you outside. Building mockups gave us a good base to communicate our ideas and test them with regards to construction and usability. Like this we concluded the dimensions of the table and the size of the storage space under it which was neglected later due to construction issues. Hang stuff there strong: it is a work table, you should be able to hang a swing under there.

As the table is the main object around which the workshop takes place, we decided first on the style of the table to make the items fitting well to the overall concept. They are all designed to be open for non-intended use, combineable and having double functions. To underline the social aspect of the table, all the storage cups are made from porcelain, so one can also use them for having a coffee. But they also serve various functions as workshop-items: One can attach the flags with the top piece, store or group objects inside of them or use them within scenario building.

The flags are made from a metal pin in a wooden round top. This top can be used to close the storage cups after the session. During the session they function as flag holders. They can also be attached to the storage cups with rubber bands. The use of random materials and pictures have been providing us with nice visualisations. For now images out of magazines are used. Later on they might be replaced by pictures that we own ourselves due to right issues. Several steps work with blackboards to make notes on.

During the previous session we discovered that people are a bit shocked by the huge surface of the table, they like to start small.

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After the use they serve as reminders and can be placed aside. Double feature: usable as a platter, to cut some bread or serve drinks. So, we of course use them, too. Everyone gets his own for personal notes. Before, we made notes on paper, but since you are writing with chalk all the time, it is less confusing to use the same pencil. The clamp is helpful to place paper or the legend on the chart board. The arrows are pointing to important elements within a scenario and structure ideas.

Therefor they have a signal colour. The question sticks were not changing that much. The tape was replaced by rubber bands, to keep it in line with the other connections and to make it possible to replace the questions. Small notches keep the rubber bands in place. Use coloured chalk to mark groups or ideas, drawings and so on. Previously we used tape or even necklaces to mark fields, but this was too confusing on the table and we had problems placing the tape as well. As the items are functioning together as a modular system, they all needed to be developed together.

The future elements have to fit the building blocks as well as the envelopes to attach them at the wheel of fortune, which goes together with the stage. The top elements of the storage items are parts of the flags and so on. Coherence is created by the repeated use of the same materials - rubber bands, blackboards and so on - and a unified formal language - basic geometrical forms, slopes and so on.

Nevertheless it was one of our goals to not specify the items too much, because part of the design is the open, adaptive character of Future Perspections. Each session will bring along new ways how to use the items and new materials that will be integrated into the setting. In some sessions the time is just used afterwards to analyse in what time the scenario might be situated, but not considered during the sctual buiding process.

So the time is only indicated by the icon, not by extra information. As it is a spinning wheel, all participants can reach all the cards. Before the wheel was designed, there were several previous stades. First, there was the idea to keep the timeline to distribute the future elements and order them timewise. Then, we simply used boxes or had the cards loose on the table. This always created some distraction. The wheel of fortune also leaves space to add cards made later on. Next to the future elements there are emotion and history cards which give information on general human habits and distribute statistics.

To distinguish them from the other information, they are presented on pieves of felt in the shape of speech bubbles. This points out their character as underlining information to round up a scenario. Bricks made from wood are displaying the future elemts. The active gesture of putting the selected cards on the bricks brings to mind the process of arrangement.

Besides that, the number of bricks underlines the reliability of the future element they hold. One uses as many bricks as there are levels that make it a wildcard, a trend or a force. But still there is the possibility to add more or less bricks to interpret the cards and adapt them to the own needs and beliefs. The bricks support as well the playful character of the workshop and invite to build. They are the basic haptic elemt within the process and give the abstract forecasts and facts a real shape. But since it is such an important piece of Future Perspections, it was necessary to give it a shape.

To reach a deeper understanding of the optional scenarios, one needs to have a focus point. Just spinning endlessly between topics; thoughts and ideas becomes exhausting after a while. Therefor it is important to choose a good description for the stage and have it present all the time. Decisionmaking is hard but needed, since it will revile the true goal of the session. The first sketches and ideas were to make it from porcelain, the same material and style as the storage cups.

A metal ring with a black painted wooden top is used in this final design. Still, the stage is an object clearly differentiated from the normal surface, since it is higher and slightly inclined because. The metal ring has a nice effect of mirroring the black surface. The metal is also used in the flags. With this form we have to see if this still works. In all the try-outs before we were always joining the session as full committed members of the team.

To test the tool and especially our instructions we invited a group that was not familiar with the Future Perspections. Up to this point, almost all of the test candidates were students out of the master program. Since we all work together in one studio, they all kind of knew about the tool and the concept behind it, which made it hard to test the instructions and have an impartial opinion. The group We invited students from the design department.

They are familiar with different design tools and what you can use them for. The group was quite diverse, none of the students came from the same semester. As far as we know, they had never worked together before or knew the others very well. Like this, all the group members found themselves in the same situation. If some of them were already working together before, it could have been splitting the group. Testpoint 1 testing the instructions and logic of the tool. What happens if you give this new group only the instructions, will Future Perspections work?

Testpoint 2 the table. Will this round big table have the effect we imagined it to have?

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Do they work out? To emphasize this atmosphere we aimed to create, there coffee, tea and some snacks are served during the session. The main break is a proper dinner. The idea behind this session is that the group uses a past — present analysing, to pull the theme into the future. One can find a more detailed description about this session in the instructions. The process strategy For testing the logics and the instruction Test point 1 we planned to hand out clear instructions and then see if this process could start within the group and how it would develop.

For the other tests, we always had to start the session ourselves; make the first moves or come up with the first ideas to make people comfortable and participating in the process. Instructions were not given all at the same moment, but step by step. Items: With every new step, the item that would be used was described shortly. All the group members could as well check the legend for an overview.

Our own tasks during the session were guiding and observing. We were there to explain the instructions and to make sure everyone was comfortable. The goal was to leave the group a bit free and try not to intervene immediately if the process was not going that well. This way we could find out if we designed a logical tool. To find out if the group could find their own way how to work with Future Perspections and a solution if they are struggling with a step. If it was a bonbon I would take a huge bite!!

Alina: What a horrible colour!! Lisa: Are you influenced by the colour when choosing a card? Vincent: One could make a story out of that Well, that sounds even like a book. One is always so busy as a designer Sometimes the content of the cards was rewritten on the table instead of connecting it with an arrow as intended. The boards were used more freely than the table surface itself. The long board was used in different ways: First to sketch, then to extend the stage surface and to collect and structure the future cards. Analysing the process This is a brief overview of the workshop, which took 6 hours 30 minutes in total.

Unfortunately there was some delay with the preparations, so we officially started at five. Since there was cake and coffee this delay was not too bad. This way the group had some time to get to know each other and to start with the first task - finding a topic that they expected to have an interesting development in the future. The group members were writing notes on their own chalkboards, but everyone seemed a bit insecure and confused on what to write on the boards for present and past. The past board was in the end used to sketch the phases od the development of writing.

Here we took over and started writing down the themes that had been discussed before the group forgot about them. After that, they were writing on it as well, but they actually prefered us to make the notes. This part of the session was quite intense and productive, but also took a lot of time and energy. In comparison with the other tests we did, they selected the cards quickly 20 minutes! But unfortunately it was getting quite late, some of the group members had to go home, so we did a quick analyse. The main conclusion was that we will do one more workshop, with some small adjustments on Future Perspections.

The group discussed the cards and made small selections and fields, slowly a few scenario outlines started to develop. The group started discussing about the scenarios again, to remind each other what it was all about. In the end we wrote down the names on the flags and asked if they all agreed on the name for the scenarios. They did. Man braucht ein klareres Ziel vor Augen. Das System an sich funktioniert. Mind Mapping ist aber auch nichts komplett Neues.

Alina: Ja, das mit den Karten finde ich eigentlich sehr gut. Vincent: Vielleicht ist das sogar ein falscher Ansatz: Es ist logisch, wissen zu wollen, wo man herkommt, bevor man woanders hingeht. Aber vielleicht stoppt das den Prozess. Anniek: Do you feel like wanting to know what all the items are about and what the actual goal is? Vincent: When I first saw it, I read all of the questions on the sticks and all the time I was wondering when you would put them out to use Anniek: We never got there.

Maybe we should really say: OK; 15 minutes, just put out what comes to your mind and on we go.. Vincent: Maybe you could even divide the table into future - present past. They are all connected. One who gives them five more minutes if they need them. He can see if there is a special energy, a flow in the group. Vincent: And if you are on time pressure, then let people also work on their own. One tends to drift away during group discussions. Jakob: Maybe you can even play it the other way around: You come with an idea from the future and see if it makes sense in a context that you can build with the table.

For me it was a bit confusing. I thought I would have to stay more in reliable scenarios and not pick the more. Without knowing, I chose more of the completely coloured cards. But I guess if you want people to take a look into the future, you also want them to get crazy and not to think too realistic. My problem was more to fix the ideas, to really write them down. Vincent: Yes, that should be part of the moderator: To listen and to extract what is worth talking about, to write down the most important and to focus on that. Christian: Or when we talked about this energy example, with this extreme situation, where you have to be creative: what would be if There I got stucked.

I wished to have some more parameters, something to hold on. That is my question for you: How to develop this guiding frame? Vincent: I think we have all the components here in front of us: All the points we developed ourselves during the process: tradition, ordnung, Christian: I think these connections are really nice to show the interrelations inbetween the single subjects, I like the arrows. Anniek: OH, we have more, we have emotions, history cards, questions, personas But do you really think it should be monitored from some specialist or out of the process? All: Always! Paul: To me, it looms a bit like a game or activity with a speacial purpose.

Something to buy and then to insert into your design process. So maybe you have to learn it first and then play it. We might use some item in a different way than you see it, but we want to let groups interpret what they find. And suddenly five big blocks might mean that there is this big border. Maybe there is a bit too much flexibility. Christian: What I really like is this realistic - unrealistic marker. Maybe more as an indcator than an advisor when playing it. A help to analyse afterwards. Lisa: How would you act as moderators?

We know too much. To everything you said I could come up with some fact or lead the discussion to some direction. Vincent: Just listen to the people, catch the keywords and write them down. Lisa: When I did that I felt like you were not really interacting. Did I take something away from you? Alina: I think you really need one person that has the overview. So to have someone who only concentrates on listening is useful.

Maybe the roles also change all the time - first one person is the listener, then another. Anniek: Like a speaking stick from the indians. Vincent: But then one has to think about the phases. If the group is in speaking mood, then they should speak. Vincent: Vielleicht muss man den Redefluss nur begrenzen. Und Selbstdarstellung hin oder her, nach 1,5 Stunden braucht man auch einfach mal eine Pause.

We should have started ealier with taking breaks. Dass man nicht alles auf einmal auf den Tisch bekommt und sich in der Komplexheit verliert. Momentan habt ihr nur alles rausgeschmissen, alle das machen lassen, was sie wollten. Aber man muss vielleicht ein gemeinsames Ziel finden, Klarheit. Man kann variabel ganz schnell etwas wichtig oder gar nicht wichtig machen. Lisa: Das passt auch gut zum Abstimmen. Die Anzahl der Steine wird bestimmt von der Anzahl der Stimmen. Christian: Aber vor dem Abstimmen ist es wichtig, den Argumentationsaustausch anzuregen. Vincent: Ich denke, das ist bis zu einem gewissen Grad richtig.

Aber bei einem Kartenspiel gibt es im Gegensatz zu diesem Richtig und Falsch.

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Jakob: Es geht eben nicht nur um das Spiel, sondern auch darum, die darin befindlichen Werkzeuge zu kennen. Vincent: Ja, sehr! Aber es kommt vermutlich auch darauf an, welche Leute hier zusammen kommen. Das war heute Abend zum Beispiel eine gute Mischung. Vielleicht ist der Rahmen, in dem wir hier zusammen gekommen sind, gar nicht der richtige. Im Endeffekt ist es eine Mindmap.

Aber sie unterscheidet sich von normalen Mindmaps, indem man Dinge verschieben kann und es liegt da, bis es jemand anders verschiebt. In dem Rahmen, in dem ihr es entwickelt habt, solltet ihr es auch benutzen. Das Hauptproblem war, klar auf den Punkt zu kommen. Liegt das an den Werkzeugen oder an unserer Art, uns zu strukturieren? Vincent: Unser Problem ist gerade auch, dass dies kein reiner Arbeitstisch ist. Das muss besser getrennt werden.

Oben ernst und unten lustig. Und es vielleicht drehbar lagern oder wie in so einem chinesischen Restaurant. Damit die Leute sich nicht auf einen Punkt konzentrieren und wissen, dass es bald weiter geht.. Christian: Ich glaube, bei all diesen Objekten muss man sehr darauf achten, dass nicht alle Aufmerksamkeit auf den Produkten landet uns zu viel damit gespielt wird. Alina: Aber letzten Endes seid ihr doch Produktdesigner.

Also geht es auch in erster Linie um die Gestaltung, oder? Worum geht es denn am Ende? Um das Produkt? Lisa: Es gab verschiedene Phasen.

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Alina: Ich denke, das kann es auf jeden Fall. Du brauchst eben nur eine gute Anleitung und einen Leitfaden. Lisa: Wenn man alles dann erst einmal hat, geht man dann auch ganz anders mit dem Tool um und kann die Rolle als Moderator viel besser und sicherer spielen. It was not like this with this group, but it could have been a risk. There should be a timeframe for the start.

There should also be a time limit because it could take forever, certainly with such an old and huge theme. The look into past and present are to start posing questions and see our reality in another way. Thereby one is focusing on details, which are examples for the overall subject. Still, the group should work most of the time in a future perspective. In a workshop it is quite important to start on the same level, everyone should know each. We should have been stricter on demanding a topic for the stage. We should have been thinking about a time and a locationbefore starting the session.

By making the stage the domain of the whole session stronger, the session would probably have been clearer. After first problems to start writing on the plain surfaces horror vacui the possibility to write and draw was used properly, but not in its entire dimensions. Introduce the group to all the items that will be used in the session. Then you also have to let them in charge of deciding when to use which item.

The file holder of all the Future Element cards worked. Everyone could take files and share them easily, but no one really used the spinning function. The coloured chalk was not used. They used them easily. Was used during our explanation and sometimes in between, but they quickly disappeared on the table between the boards.

Several small boards, two of them used because that was the task, the group did not thought of using a other board to make. The stage was well used. The Future Element cards were well understood, thanks to the new layout. But sometimes the content of the cards was rewritten on the table instead of connecting it with an arrow as intended.

There where not enough porcelain cups to mix drinking cups with the storage-cups. There need to be more of them. Originally the melange should create some laid-back feeling, where you have some coffee and cake while talking about the future and sharing thoughts. The snacks and drinks were very appreciated, but also confusing, the table got to messy and there was no overview. We wanted to let the table be theirs, so we only cleaned up a little bit, without moving too much. Be prepared before the group is there! Agree who is in charge if you do the workshop together, during the session we were constantly doubting who was going to say what.

If one part was finished we went further to the next one. We expected that it would be confusing when you give the instructions all at the same time, since they were not written down jet. Otherwise this might have been ok, because the group could easily look it up again.

The selections of the Future Elements went really quick; normally people really think a lot about the ones they chose if they are currently working on that topic. The group said that it was important to feel really connected to the topic to really go for it and take it seriously. There was no one in charge for writing everything down. Which was for both of us new and there were so many possibilities in there that it was really hard to choose a direction in such a small time.

We knew each other well and there were also no borders anymore of telling each other honestly what you were thinking. This also led to quite strong discussions on what we wanted with the project. Here we sometimes drifted apart in my eyes. In general In one of the first meetings with professor Wolfgang and Kristian, when talking about working together, we were told to keep in mind: One plus one is two plus, not just two.

Sounded perfectly logical but during the process it did not feel always like that. We both had interesting ideas in the research phase, but since the project theme was so broad, we had to keep each other informed and focused. But it was not always like that. For example when we did not agree on the others idea it was more Not that a disagreement is wrong, rather the contrary.

In these disagreements you can profit almost the best from working together instead of working alone. Apparently there is something missing or not making sense, together you could find it and make it better. But in this phase we did not do that so well. We were avoiding decisionmaking after discussions, which caused that we were not always on the same page or focused on the same goal. This was, I think for both of us, confusing and frustrating. I know I can be pretty direct, and thereby maybe scare the other one a bit, for not explaining their own thoughts that well. On the other hand, I noticed that when I thought the other one so I mean Lisa did not like the ideas I came up with, without putting this in words I started to doubt them too.

This teaches me to really ask if I. Of course there were days where we did not communicate that well or postponed design decisions. But we worked really productively together and kept each other focused on the shared goal. For me, if I work alone on projects, I always work on myself as a designer too, my vision on overall design is shaped during practise. From there on you will have to discover a shared vision and an approach of the project together.

For me working together as designers is one of the most logical thing there is. As a designer you will never work alone anyway, it does not really matter if it is another designer of course that will lead to more discussion , but you have to challenge yourself in being able to share your opinions and ideas, to be open-minded and critical towards your own thoughts. Well, if you work together as two designers for me you really become a design team with one shared vision and a goal. Of course you have different backgrounds, interests and so on, but this will lead to discuss and develop this vision together.

These processes like brainstorming and discussing can lead towards well-considered design. Here you really have the possibility to benefit of working together. If you do not have this teamgoalsspirit focus sphere, the generation of ideas is not so productive and these discussions can lead to demotivation instead of making a step forward.

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I did not always felt like this, which made me doubt the project and the outcome. Thereby I tried to discuss all points and thoughts very openly, this might sound a bit inefficiently but I think it is really important to feel both connected towards the project to be able to feel free and to work nice. As soon as this trust feeling is there, you can easily work quicker because you know you can rely on each other, since you both have the same focus. I am aware of the fact that this is not possible with every designer, it takes a lot of time and it is always in progress.

Well, therefor for I automatically speak in terms of our project, the documentation. This might sound negative but I know it is sometimes also positive and leads to perfect smart results. But as soon as it is in my head and I find it important I can be quite perfectionistic on it.

I can also loose myself in details, which if you look back at it, did not really matter at all. Sometimes during this project I could feel myself pretty rushed. Imagining working with someone like me can make you act sometimes the opposite and just start doing stuff. But I really want to have a reason for doing something. And then I can work hard and put a lot of time in it. Feelings of guilt if not working or putting limits on working and locations..

I tend to think for someone else, this is in most cases negative and leads to unnessary doubting. But I really think that this had been worse before. Since you do not work as one designer, you work together as one team. And they have both their own vision. So that can be frustrating sometimes.

Be aware of your own thoughts and open-minded to have discussions and make the team better in your eyes. No randomness. At the same moment this constant iterative process takes so And even longer. We should have started way earlier on taking risks, making decisions, trying things instead of discussing them over and over again and again At some point there was no time apart of all this, not even for other projects or just a free weekend. We should have more free weekends. Or even just days. It is amazing to look back now and see how we made it, how everything came together, which difficulties we had to deal with and that we finally managed it.

For me, the beginning was really shy, careful, both of us were not so sure how far one could go, how to communicate. As we were not only doing all the uni-stuff together but also spending a lot of our free time together, we came to know each other quite fast which, for me, was really a good experience, as I tend to keep distance or just run out after some time. With the growing bond we started to be more honest and free in telling each other what we thought, what was good for the process, but sometimes hard for the relationship in-between us. But when not seeing Anniek I was really missing her.

Being that close I also faced my character in a new way. I really appreciate honesty and I learned a lot about myself. On the other hand: It is human. And as reflecting always contains the process of learning, I learned a lot: About design, about human relations, about Anniek and about myself.

And I guess for a design process there.

Session Timeout

It feels really good not to be alone in this. The only really efficient work is before deadlines yes, that is normal, but in this project it got extreme as we needed to be forced to stop wanting all and start doing the possible. Listening as one of the most difficult things. We both tend to want too much and have way too many plans then having difficulties deciding then being confused then stopping to do something and then starting to do it all at the same moment what is never working out - until there is so much pressure to get something done that we start to skip stuff, then it gets better.

Letting go: one likes an idea, the other one not Everything takes way too long, as most of the time costs the structurizing the process and communication do we need a secretary? Rely on each other not double check things! Very very good: always someone to talk to seldom getting stucked and if so: talk about being stucked. We developed everything the way it fits our logic, to help us. Now we take the step to confront our corner of the world with the view and understanding of others: How will they interact? What do we have to improve to make it understandable and thereby useable for all?

Things that noone will ever even notice and thereby not appreciate. This is not a final design. Das muss man doch erst ausprobieren, es entwickelt sich doch noch! Products should invite the user to play, the wish to use the tool, but not be too strong so the actual meaning of the game gets lost. Der schmale Grad In general we are satisfied with the result of this project. Allthough we are actually still in the test phase, we both have a good feeling on how the tool functions and see potential in developing Future Perspections.

The last weeks of the project we really focused on designing, testing and building the prototype. But working and creating scenarios appeals as well. We are ending this project within a testing phase. The final test was the workshop. During this workshop we received a lot of nice feedback and we were able to analyse the session well. Peterson join Mike to discuss the film. We also hear just a bit of executive producer Floyd Mutrux from a previous interview.

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The fifth feature Superman film took a dozen years and millions of dollars to come to fruition. TPB: Dr. We're discussing Stephen Sayadian's film, Dr. Co-written by Jerry Stahl, the film tells the tale of a patient at an asylum run by the granddaughter of the infamous German doctor. The first was with Orlando Jones. The second was with Danny Trejo. We're discussing Robert Fuest's The Final Programme where Jerry Cornelius helps a cadre of shadowy figures steal the formula for his father's work which may save humanity from the end of the world Just in time for Labor Day, we're looking at the film all about the working man, Blue Collar.

Directed and co-written by Paul Schrader it tells the tale of three men working in our fair city of Detroit. Every once in a while we just turn on the mics and go. We answer listener emails, play some voicemails, and talk about how the Projection Booth sausage is made. The first big American studio film directed by Edgar G. We discuss the comic book film The Rocketeer starring Billy Campbell. We also talk to the inimitable Jon Polito. NWA court is now in order and we're discussing F. We're joined by Alexandra West of the Faculty of Horror podcast to dig into this enigmatic film.

For our Under the Skin episode we're talking to screenwriter and novelist Alexander Stuart about technology and his latest work. Once "the kids' version of THX", Alan Johnson's Solarbabies has seven orphans looking for salvation in a water-starved post-apocalyptic world. Conceived by the artist Metrov, the story behind the film may be more interesting than the movie itself. We discuss one of the most maligned and misunderstood sequels around, David Fincher's Alien3.

We're joined by Brad Jones, the Cinema Snob. The Limey - the film from director Steven Soderbergh - tells the tale of Wilson Terence Stamp - a recently released career criminal from the U. They discuss the importance of film criticism and Kael's controversial career. We look at the third Punisher incarnation, Punisher: War Zone. This candy-colored symphony of violence stars Ray Stevenson as the titular "super hero. This week we're talking about a trio of films created from the works and character of the late doctor of Gonzo Journalism, Hunter S. Legendary actor Ed Asner gave us some of his time to talk a bit about his career.

The film tells the tale of Kevin "Kid" Collins, a punchdrunk palooka who falls in with a kidnapping scheme. Our guest co-host, Adam Schartoff, is the co-host of Filmwax Radio. The film was at the forefront of the Japanese New Wave cinema movement. This counter-culture comedy skewers advertising of the day and stars a host of Factory players such as Tally Brown, Taylor Mead, and Candy Darling.

We're joined by Outside the Cinema's Mr. Chris to get nostalgic and discuss how Star Wars may or may not have influenced our lives. In anticipation of our episode on Star Wars, we've put together a music mix of some favorite Star Wars-related tunes. He gets everything he wants We talk about HR Giger, his work, and his legacy. A film some fifty years in the making, it has yet to be completed and released. Based on the book by and adapted for the screen by Paddy Chayefsky, Ken Russell's Altered States tells the tale of Edward Jessup, a scientist who's looking for answers to some of the big questions of life.

Guest co-host: Scott Clickers. We discuss the film from Vincenzo Natali, Splice. Genetic scientists work for a pharmaceutical company making a new creature that could help lead to new drugs. Problems ensue On this special episode we're looking at three films -- Bad Boy Bubby, The Baby, and La Videa Lactee -- in which grown men either get treated like or actively choose to live like babies. Logan 5 Michael York and Jessica 6 Jenny Agutter live in the City of Domes where life seems idyllic with just one little catch: everyone dies at We speak to Logan's Run authors William F. Nolan George Clayton Johnson about their landmark book.

We discuss the film with Eric Cohen of The Cinefiles. We talk about Darren Aronofsky's film, Requiem for a Dream. Hear the rest of the interview on our Requiem for a Dream episode. Written and directed by and starring poet and futurist David Avidan, the film is a remarkable science fiction odyssey. Writer John Kenneth Muir joins us in our discussion of Norman Jewison's dystopian film, Rollerball wherein Jonathan E James Caan is a star in a game where individual achievement is a threat to the Corporate powers that be.

In Miracle Mile trombonist Harry Washello Anthony Edwards receives a random phone call, tipping him off that nuclear Armageddon is imminent. We're talking about the film, Tourist Trap. When a quintet of young people meet creepy Mr. Slaussen Chuck Connors -- the proprietor of a roadside wax museum -- bad things happen. Directed by Charles Band, Trancers stars Tim Thomerson as Jack Deth, a detective in the future who travels back in time to track down a cultish criminal named Whistler.

Tremors stars Kevin Bacon and Fred Ward as two handymen living in the desert valley town called Perfection which is plagued by huge, voracious worms which they dub "Graboids. We delve into Fellini territory again with a discussion of Juliet of the Spirits. This film was Federico Feelini's first foray into the wonderful world of color film. Boogie down as we discuss the disco classic Saturday Night Fever. Released in , the film was a follow-up to his "dollars trilogy" and hailed as many as one of the best Westerns ever made. Bush for Murder and the documentary from David J.

We're looking at Tim Burton's Batman Returns. Happy Holidays from The Projection Booth.

OPENING HOURS - Monday May 13

Here's some tunes to keep you going while you're "dashing through the snow" this season. He quickly finds himself embroiled in the shady underworld of children's television in Death to Smoochy. Mike Judge's de-evolution satire Idiocracy finds Private Joe Bauers Luke Wilson , the "average American", years in the future as the smartest man alive!

Join us as we talk about one of the smartest sex comedies of the s Hamburger: The Motion Picture. Based loosely on a novel by Dorothy B. Hughes, the film stars Humphrey Bogart as a screenwriter on the edge of madness and Gloria Grahame as the woman who tries to love him.

Tom Neal stars as a down-on-his-luck musician who picks up the wrong hitchhiker Ann Savage in a tale of fickle fate, phones, and flashbacks. We start off Noir November with a bang! We're looking at the film and the fan phenomenon. Directed in by Slava Tsukerman, Liquid Sky tells the tale of two women who live in a world steeped in sex, drugs, and that wacky New Wave music. Rob and Mike answer your emails and voicemails on this special episode. A Strange idea of Entertainment chronicles the life and career of mime, musician, actor and director Tom McLoughlin.

Written by Joseph Maddrey, the book gives an in-depth look to an often overlooked talent. We're looking at the film Let's Scare Jessica to Death. Directed by John D Hancock and based on a screenplay by Lee Kalcheim, the film tells the tale of Jessica Zohra Lampert a woman who's back from an asylum and spending some quiet time in the country. Mike talks to entrepreneur, author, director and former adult film star Candida Royalle about her career and the upcoming documentary about her from director Sheona McDonald, While You Were Gone. We look at the film, American Mary. Directed by Jen and Sylvia Soska, the film tells the tale of a med student, Mary Mason Katherine Isabelle , who is working towards becoming a surgeon but decides to pay her bills by doing body modification.

Lizzie Borden's second feature film, Working Girls looks at the day in the life of a sex worker, her co-workers, her boss, and her clients. Filmed over a period of four years, the production was plagued with financial problems but ultimately proved a triumph of ingenuity over resources. As Roman month comes to a close we look at the film Titus, directed by Julie Taymor and based on the bloody tragedy by William Shakespeare, Titus Andronicus.

Roman Month continues with the film, Fellini Satyricon. Based loosely on the remaining fragments of Petronius's voluminous work, the film is a series of vignettes. The film Caligula is a biopic about one of the most-wicked rulers of Rome. A notorious adult film which blends the true crime of Michael H. With the recently released digital version of Robinson Devor's The Woman Chaser, the original soundtrack had to be replaced due to rights and budget issues.

Thanks to Mike's OCD, people can still enjoy the original soundtrack as a compilation. We examine Alejandro Jodorowsky's landmark philosophical film, The Holy Mountain, about nine adepts searching for immortality, undertaking a sacred journey. Joining us is Stephen Scarlata, co-producer of the documentary Jodorowsky's Dune. No Retreat, No Surrender, the low-budget martial arts film, stars Kurt McKinney as Jason Stillwell — a young man who continues to learn karate despite his father's wishes. Mike talked to Dr.

Campbell, Jr. But, at what cost?

Michael Mann's Manhunter was a stylish serial killer film that has proved influential for decades. Other than being known as the first film appearance from Hannibal Lecter a sublime Brian Cox , Manhunter helped give rise to the crime procedural. Are you ready to rock? Taking a look at the Cinetopia film festival taking place in Detroit and Ann Arbor from June , It's fun for the whole family as we talk about Ken Russell's controversial film "The Devils".

Censored for over 40 years because of content, "The Devils" tells the tale of Urbain Grandier — the priest of Loudun, France who in was persecuted through an unholy mix of Church, State and Sex. We're joined by Mr. Boss Nigger is one of the American Westerns that worked used the feel of the Euro-westerns that came to the fore in the mids, but with an African-American twist.

The twosome battles bad guys, civic corruption and racism with words and guns. Take a look at one of cinema's greatest tragedy's and greatest influences , Alejandro Jodorowsky's Dune. The documentary Jodorowsky's Dune tells the incredible tale of the surrealistic filmmaker gathering one of the most impressive rosters of talent around in order to make an ill-fated attempt at adapting Frank Herbert's seminal science fiction tome.

Danger signal! He's torn between his obligation to pull the trigger and his heart. We're talking about Bad Lieutenant - the original and the sort of loose re-make by filmmakers Abel Ferrara and Werner Herzog. The original stars Harvey Keitel as the Bad Lieutenant in question who gets in over his head with drugs, prostitutes and a gambling debt. He plays a cop who gets in over his head with drugs, prostitutes and a gambling debt. A run for the border is in order.

Called "The Ingmar Bergman of 42nd Street," Joe Sarno delivered an usual blend of artfulness and sexiness to the raincoat crowd. From the creators of the Harry Knuckles films, Jesus Christ Vampire Hunter resurrects the Christian messiah in modern day Ottawa to fight a plague of lesbian-hunting blood suckers. May the power of Christ impale you! Mike and Brett are zombies.

Somehow, they awake and decide to take a road trip to find Mike's lost love. The pair are unaware they are being chased by a company trying to hush up the zombie invasion. Deadheads is a zom-rom-com with heart. In the fall of , Projection Booth co-host Rob St. Released on DVD, the film is without a commentary track. Armed with a bottle of whiskey, Rob thought he'd remedy the situation. Thomas feels like his life was stolen from him when he was switched at birth.

He lives a life of quiet desperation and fantasy as "Toto le Heros. Smoker tells the tale of Madame Suque Sharon Mitchell , a sexual terrorist who creates an explosive device in the form of a marital aid. When her lackey Ron Jeremy accidentally sells it, all manner of voyeurism and bondage break out.

We're looking at John Waters's Female Trouble. The film from the bard of Baltimore stars Divine as Dawn Davenport, a juvenile delinquent who runs into a fashionable crowd that believes crime increases your beauty. Get out your cha-cha heels and enjoy our discussion of the film with its star Mink Stole. For our third anniversary show, we're taking a look at Black Dynamite, one of the baddest muthas to ever take down kung-fu treachery.

Joe Bannerman of the Daily Grindhouse podcast joins us. Burn some cork, put on your tap shoes and get ready to put on the "coon show" to end all "coon shows" as we talk about Spike Lee's satire of African-American representation in culture, Bamboozled. The film stars Damon Wayans as a TV writer who wants to get fired, so he creates the most racist show in history.

Only to discover, it's a massive hit! We're looking at the action film HIT! When Nick's sister takes a hot shot, he goes on the warpath for the people that put the smack on the streets. Rather than dealing with two bit hustlers and thugs, Nick takes it all the way to the source, making a real French Connection with a group of drug kingpins in Marseilles. The Robocop remake is coming out this week so we're giving you a little taste of Robocop past with this music mix that dates, in part, back to our 16th episode.

Jeff Gerber has a problem. He used to be a White insurance salesman. But, now, he's a Black man. Maybe it was too much soy sauce? Either way, it's a brand new world for this suburban bigot. Join us as we talk about this satire from Melvin Van Peebles. Can your heart stand a bevy of beautiful women who try to dance their way into the afterlife, judged by the Emperor of the Underworld Criswell and the Princess of Darkness Fawn Silver? A highly controversial film, William Friedkin's Cruising was as confusing as it was confused. It's a slasher film, of sorts, set in the leather bar scene of the late '70s.

Wakefield Poole's Boys in the Sand was one of the first adult films to find mainstream success. By itself, this is remarkable, that the "gay porn" film came out a mere 18 months after Stonewall and a year before Deep Throat makes it even more so. Give our interview our listen and then give Fred some greenbacks.

More of our interview with Brian Hoyle. Ever want to see Sean Connery wearing a red diaper? As mentioned in our Zardoz episode, there are a lot of songs related to the film. The cholent brigade Herman, Michael, author. The art lesson : a Shavout story Marks, Allison, author. Drop by drop : a story of Rabbi Akiva Jules, Jacqueline, Ruth Bader Ginsburg : the case of R. Yaffa and Fatima : shalom, salaam Gilani-Williams, Fawzia, author.

Angel in the whirlwind : Benson Bobrick. The race to the New World : Douglas Hunter. Great expectations Charles Dickens ; with an introduction by John Irving. The rebel Albert Camus ; with a foreword by Herbert Read. The pigeon has feelings, too! Don't let the pigeon stay up late! The pigeon wants a puppy! Pigeon finds a hot dog! The duckling gets a cookie!? Elephants cannot dance!

I will surprise my friend! Watch me throw the ball! Don't let the pigeon drive the bus! I am invited to a party! The pigeon needs a bath! Should I share my ice cream? Are you ready to play outside? There is a bird on your head! Listen to my trumpet! A big guy took my ball! My new friend is so fun! All the light we cannot see : Anthony Doerr. All the light we cannot see Anthony Doerr. The new world : Chris Adrian and Eli Horowitz. Black boy : Richard Wright ; with a foreword by Edward P. Nectar in a sieve : by Kamala Markandaya.

Feeling like a kid : childhood and children's literature Griswold, Jerome. A nest is noisy Aston, Dianna Hutts, author. A beetle is shy Aston, Dianna Hutts, author. A butterfly is patient Aston, Dianna Hutts. Good night stories for rebel girls. Backyard fairies Wahl, Phoebe, author, illustrator. Ballad Blexbolex, author, illustrator.

France : the cookbook Mathiot, Ginette, Welcome : a Mo Willems guide for new arrivals Willems, Mo, author, illustrator. Who will be my friends? Hoff, Syd, The book of mistakes Luyken, Corinna, author, illustrator. How children learn Holt, John Caldwell, , author. The gift from Saint Nicholas Lachner, Dorothea.

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