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At times fuzzed and raucous, others mellow and bluesy, delicate acoustic moments contrast with all out heavy anthems, but at all times it is lyrical and hauntingly melodic. As such it is difficult to call it anything other than an album of "album" music. The use of analogue tape to record and mix their music, shows their love and passion for the tradition of the album making craft, which is also so evident in their music and playing.
The first time I listened to this album my mind went back to the first time I heard U2 - Joshua Tree , up until that point, my all time favourite rock album.
This album on one listen replaced it. Is it original, ground breaking or genre defining? No, but the music, despite the all out fuzz and distortion in places, is just so easy on the ear and mind. The melodies at times discreetly flow and meander through the songs with such ease, at others they are bellowed with dramatic, richly harmonic chords, but never going in directions that jar or grate. The electric guitar that Stefan Koglek usually plays is a classic "Les Paul", synonymous with jazz players, the bassist Phillip Rosthofer plays a classic Fender bass, the more recent keyboards include a grand piano, hammond organ and a Fender Rhodes MK I.
Just another example for the reverence for classic rock music these guys have and in some ways makes them more akin to a jazz ensemble.
Extended jams appear on many of their tracks, but its never aimless noodling, the melody is always there and always changing, driven on by Rosthofer's relentless bass and Manfred Merwold's, at times Velvet Underground style, on drums. Stefan has a seemingly endless number of different riffs and progressions in his finger tips and always that unique, wonderful tone.
The end result is honest, heartfelt, pure fun!
It may never be considered a carefully arranged Prog masterpiece, but for the enjoyment I derived from this recording, a solid 4 is appropriate. Copyright Prog Archives, All rights reserved. Please consider supporting us by disabling your ad blocker.
In the release their debut "Chopping Machine" as a tree-piece, the album is in a style caught between a classic Heavy Rock Black Sabbath , and the Grunge popular at the time Pearl Jam. Between and the band went through a series on member changes, including singer Felix Neuenhoff replace Koglek on the vocal parts. From the recording of "Periscope" , they were again reduces to a tree-piece Stefan Koglek vocal, guitar , Manfred Merwald drums , Philipp Rasthofer bass.
Over the years the band have become a bit less heavy, exploring even more the slow buildup on very long tracks, with a warmer and softer sound, and a crafty groove. Any album they have done from "Periscope" and onwards are worth a listen, but "Temple" mark a refinement both in their sound and the melodies they create. May be seen, as the start of the third chapter.
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Studio Album, 4. Studio Album, 3. Previously, I've heard some of the band's earlier works and that left me quite impressed.
That I haven't followed it up is partly due to the fact that one can only pay attention to that many works at a time. Thanks to Philippe Blache for the artist addition. Tempel Electrohasch She Said Imports All Imports Periscope Imports Colour Haze : All CD. Colour Haze Tempel CD like new.
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